Q: What will you do when you get back to the states?

I know you're expecting that here is where I will mope over what I've lost, but there's been entirely too much of that lately, so I will limit myself to delights and whatever gripes don't involve a solid 25 hours of traveling.

When Danielle was helping me carry my FIVE bags downstairs to find a taxi to take me to the airport express train to take me to Sheremetevo (whew), we were stymied by our broken door. Then a typical Russian man (all in black, sunglasses, cell phone attached to belt, briefcase) came barrelling through it, and he asked us where we were going. He offered me a ride to Vodny; when he learned that I was actually going to Savelovskii Vokzal, he offered me a ride there instead. I'd already popped half a xanax, Danielle had the number of the militsia, and I had a 70 pound suitcase. So off we went.

This was one final test of my conversational Russian before I leave, and I have to say, I rocked. Vlad and I talked about work, our respective salaries, traffic in our cities, green spaces, and fencing. It's a measure of my cultural adjustment that when he told me that my suitcase was "just impossible for a girl to take on the metro," I agreed -- and completely meant it. When we got to the vokzal, Vlad and the militsia officer had an argument about parking his car there, and he insisted that my bags were too heavy to park elsewhere. Finally, when I offered to pay him a little, he shrugged it off and insisted that it was all in the spirit of international friendship.

What followed was the usual airport maze, a 10 hour flight to New York, then a 5 hour layover. I know you don't care about that. Actually, there's probably only one question you have.

Q: What was the first thing you ate when you got back to America, Ebeth?

A: A turkey sandwich. It was terrible, I'm sure, but I really enjoyed it. This was followed by a Frosty and french fries.

Q: A Frosty? I thought you only liked Russian morozhenoe!

A: I'm on some kind of campaign to eat everything in sight for the first 24 hours.

So what do I have to show for my time in Russia?

- some research

- Russian that's good enough to carry on a general conversation

- insatiable hunger for ice cream and Milka bars

- a dead computer

- a serious grudge against the established media

- new appreciation for hot showers and public parks

And what do you have to show for my time in Russia? Let's test your skills.

Go ahead.

poll by twiigs.com

Moscow/City

Unlike this guy, I experience preemptive nostalgia. So the last few days, or sometimes weeks or even months, before I leave a place take on that special glow. This is usually wonderful: it makes pleasant things bittersweet (so I really try to enjoy them) and unpleasant things bearable (I have in mind here mainly the cold water affair -- really not so bad after a long day on the metro). Just keep this in mind when you're tempted to roll your eyes at the following.

Yesterday Kostya and I met to exchange gifts, and then we got a bite to eat. I have to admit I was apprehensive. He speaks very little English, I find men on the whole more difficult to understand, and finally, what did we have to talk about? I needn't have worried about the last point -- we covered:

a. Joe Biden in Ukraine and Georgia

b. Chechnya

c. the Gates debacle

d. Russian stereotypes

e. the Cuyahoga River

f. Kazakhstan in comparison with other Central Asian republics

g. tomato-growing and attendant problems, именно raccoons -- "енот," in case you were wondering

h. why Russia and America don't get along

It was a good test of my conversational Russian, and I understood at least the gist of everything above. I also hit a career high for ice cream consumption, which due to aforementioned phenomenon, did in fact taste sweeter than usual. But the best part was that, because of the Blue Beret festivities (who are they? -- be warned, it's more than you ever wanted to know) and subsequent mutual fear for my safety on the metro, he drove me home. There is, in my opinion, very little that compares to being driven through a city at night at high speed (excepting, ahem, my doing the driving). It's a great way to see the city, it's a special treat after the metro, and it's summertime. This was made even more, скажим, interesting than usual by the fact that Kostya kept pointing out his various projects while driving, bringing us alarmingly close to the guardrails on the on-ramp. Someone who can talk on his cell phone, shift gears, and point out nighttime attractions all at the same time is a guy after my own heart. So what did we see?

Moscow City, where he proudly showed me the largest digital clock in the world, lit by his company. Here is a hilarious entry about it.

His other project was construction crane on top of a building; these are semi-permanent fixtures now that the crisis has called a halt to a lot of building projects. It was outlined in neon blue. Tacky? Actually no. It's a crane -- anything's an improvement.

These are all newish buildings towards the center. Out by me it's all strip mall-type neon lights. Look, I know you think it's ugly and modern. And if you're like Andrew Biliter from the link above, you might add cheesy AND dystopian (only here is that combination even possible). But I think it's gorgeous.

But that's not all; the glow extended much, much further. I also:

1.had TWO great interviews, one set up just hours in advance. However, when I arrived at the second one on time -- a minor miracle in its own right given that this organization had two different offices at the SAME address but actually in two different buildings (yeah, that's what I've been trying to tell you) -- I asked for a glass of water, and in the midst of changing the water cooler, my interviewee pushed a plastic piece into the bottle, at which point I watched as all five office employees attempted to retrieve it with any number of implements, including a ruler, tongs, several knives, and fingers. Needless to say, the interview was a raging success.

2. bought all the souvenirs I could carry, including one fantastic purchase that the recipient will probably be less excited about than I am, in which case I'm keeping it. You know something strange is going on when I'm able to tolerate Arbat Street.

3. had another heart-to-heart with another Russian. Как ни странно, the Cuyahoga River did NOT come up. Weird. Also, it's not fair that I've only just discovered poppy-seed blinchiki.

4. found the Baltika rainbow in my supermarket after all,

5. saw the sky glowing across Leningradskoe Shosse,

6. opened the broken door to my apartment building to find the whole staircase smelling of flowers, and

7. discovered a use for the abandoned washer.

Oh Moskva. Never has one woman loved you for so many of the wrong reasons.

One unrelated thing [Q: Unrelated to what, Lizakhon? This whole post is a jumble of things. A: Oh please, this post is about how amazing Moscow is, AGAIN. This paragraph, on the other hand, is about the bad news for Dmitri Anatolyevich]: Danielle and I went to see the Faberge Exhibit at the Pushkin Museum of Art Special Collections Museum [Q: How was it? A: I am strangely seized by the desire to own a cigarette case. That is to say, fabulous] and it was there that I first noticed the striking resemblance Nicholas II has to a certain leader close to our hearts. It's uncanny. Apparently I'm not the only one who has noticed this: Look at this! It's incredible! No wonder Putin is more popular with the Russian public. Don't worry Dimz, you're still #1 with ... me.

Cold and Hot (much like my taps, assembled every which way such that even Katy Perry would be confused.)

Since we last hung out and listened to music together,

I have:

1. had my hot water shut off for the annual pipe-checking (or whatever it is they do for 10 days while the hot water for a whole neighborhood is off). I don't know how everyone else deals with this, but I do not.

2. flubbed an interview.

3. seen the trashiest wedding dress of all time.

I've seen a fair number of wedding dresses here and there, but this one made my jaw drop, so I know you want to hear about it (or at least JPey does). Imagine the reverse mullet as interpreted in ivory lace. If you only saw it from the back, you would think it was inoffensive, if fussy. It had a floor-length full skirt, a vague but functional top part, and a floaty, half-hearted veil. Perfectly normal and appropriate. But the front was -- well, the top was a transparent corset, and the bottom a mini-skirt. Of ivory lace! That sloped down on the sides to a full-length skirt in back! Oh, how I wish I had managed to get a picture.

Now if it is your fondest girlhood dream to look like a prostitute on your wedding day, I can respect that (with minimal snickering) and admire your audacity. But the combination of the two -- one part Victorian bride, one part stripper -- made me wonder if this dress was some sort of compromise (between the bride and her mother, the bride and her sister, the bride and her own twisted, Posh-like sense of fashion) or just a failure of nerve. I'm somewhat embarrassed to admit this, because it's awfully snotty of me, but I thought the best part was that they were taking pictures in front of the Cathedral of Christ the Savior. Fitting.

4. been to a fantastic museum, just a hundred yards away from above event, and just when I thought I'd seen everything in the way of art museums here.

This is the part of the Pushkin Museum of Fine Arts (Государственный музей Изобразительных Исскуств им. А.С. Пушкина) called the Gallery of American and European Art of the 19th-20th Centuries.

Now before you get all huffy that I'm excited about the American and European art wing in Moscow, just look here.

As in other museums, there's graduated pricing: for foreign students it's 150 r, about three dollars more than the Russian citizen rate (forget about the Russian student rate, which is practically free). So I was scrounging for change and getting increasingly pissed off in the process (I was mainly upset because I didn't have enough money on me, and because the exchange rate has taken a dive over the last week, and because I already take enough flack for being foreign. Okay, that last one's not true, but I object to discriminatory pricing practices.) So I scowled broadly, told the woman that I didn't have "sufficient money," and walked away.

"Devuska," I hear behind me, and I turn to see her motioning to me conspiratorially. She slides across the calculator with "100" typed out. I shell it out (hey, it's a 33% discount), and she gives me a 60 r. citizen's ticket. Where does the extra 40 go? Who knows?

I'm just happy to get into this fantastic little museum. I snuck some photos for you again. That's the main hallway. See the lights?

The first floor was 19th century. The second floor was mostly Impressionists, which I'm not crazy about. I like geometric things.

At the top of the staircase:

That is my kind of Notre Dame, all straight lines and grays and browns (it's even more severe than the picture makes it look). The thing in front is a burned violin encased in plastic. It's called "Burnt out Violin."

But I also got to see Paolo and Francesca, Kandinsky, Picasso, a whole room of Matisse, and then, in the last little alcove, two Chagalls that were breathtaking. I didn't even get irritated with the loud English guys in front of me.

5. attended "Giselle." Perhaps my feelings on this ballet could be surmised from the following summary. Giselle, initially dressed like Dorothy, falls in love with a nobleman who's disguised himself as a peasant. When his true identity - and betrothal to a condescending artistocrat -- is revealed, Giselle dies of a broken heart. But! In the second act, she returns as a ghost to save her very betrayer from death. You see, he's come to mourn her in a graveyard at night, where he almost falls prey to the ghosts of other jilted girls who, dressed as a troop of dead brides, like to take their revenge on men by dancing them to death. Here's a clip.

Did you guess how well I liked it? If this is what Misha and Tanya had tickets for when they were late to the Bolshoi, they didn't miss much. But maybe I'm being unfair -- my Russian friend seemed to think this group in particular was mediocre.

As far as I understood it, the choreography from their performance debuted in 1944 and has not changed since then. Notice the peasant girl ultimately triumphs in the class struggle of the first act. Well, morally.

Check it out:

This was performed in the National Youth Theatre. There was a sign asking spectators to refrain from bringing large purses, drinks, and ice cream into the auditorium. Ice cream, I thought, Really? Is it that much of a problem? But at intermission, everyone was drinking chilled champagne and eating ice cream from Mary Coyle-style bowls, which made a lot of sense since the building was not air conditioned. Poor Giselle.

I have not:

1. had a single pleasant experience in the Russian post office.

Me: I'd like five stamps, please.

[I'm holding out my 50 r. bill because each stamp costs 10 r. It's a straightforward transaction.]

Pochta Lady: How many postcards do you have?

Me: It doesn't matter; I'd like five stamps please.

PL: How many postcards do you have?

[Look. I have one postcard. But you know what, I might buy more in the future! Maybe I have a letter I want to sent -- gasp! -- WITHIN Russia! Maybe I want to send a package somewhere! Maybe I want to send a heavy letter, not just a postcard!]

Me: I have one. But I want five stamps.

PL: But you need two stamps per postcard.

[For the love of God, lady, I know that it doesn't make any sense to you why someone who can't remember the genitive plural of "stamps" (argh, I should have asked for 4) would need an ODD number of them when each postcard requires two stamps, but just SELL THEM TO ME ALREADY.]

Me: I UNDERSTAND. BUT I WANT FIVE STAMPY-THINGIES.

[Just because you're allowed to open and read my mail does not mean you know my postal needs better than I do.]

Pochta lady #2 -- interrupting her own functional transaction to step in -- getting me five stamps out of her drawer: Here.

Me: Here. Hmph.

Incivilities having been concluded, we part ways -- five stamps in my pocket, 50 r. in their coffers, and I'll make sure the next postcard I write, with my extra decyat' stamp, is addressed to them.

2. bought any more presidential merchandise. On that note, I'll leave you with this:

"There are also fewer of those who want to 'lie on the president' than those who want to 'lie on the prime minister.' Pillows with Putin's likeness sell much faster than those bearing the face of Medvedev."